I started off with the foolhardy notion that I could draw something everyday and blog about on a weekly basis. I did a total of nineteen Draw Everyday posts. Which is pitiful. I reckon I might give it another go. The pressure of having to blog something was a good motivator, but also a hinderance, in that I got hung up with having something ready for public consumption. Bottom line is, people are glad to see anything, and with Twitter and Instagram, those are probably the best places for such updates.
While I was waiting for the Sugar Glider 3 script from Daniel, I went to see The Artist at the cinema. There's a scene within a scene where one of the characters reminded me of Don Quixote from Sugar Glider 2, and after looking at the film's poster, an idea was set in motion that resulted in the most popular post of 2012 on the blog, and also the idea of promoting the free web serialisation of Sugar Glider with DVD box-esque posters. We quickly decided to do posters for the main title based on some of our favourite independent films, some of which related to the content and themes of the books. Then we thought it would be hilarious to parody more schmaltzy, sentimental romantic comedies for the two Sugar Glider Stories books to reflect their ensemble cast.
March was spent mostly building up for the fourth Leeds Alt Comics Fair which took place in April. It's consistently one of the best comics events I've attended. I had time to work on a small mini comic called Column, about my thoughts on public art. I was going to do a larger and longer version if there was any interest, but I think it served more as an incentive or reward for people buying more than one comic. Here's my poster again, I was dead chuffed with it.
The merry merry month of May is home to my birthday, so not a lot of comics work going on there. However, I did find time to work on Nightbus 3, which at this point was pretty much simply called Nightbus. The lack of numeration was a conscious decision to not put off people who may think they were missing out on one and two, but simultaneously, could have been confused as an issue one. Comics, eh? Interestingly, a few people have said that it works as a starting point as well as an ending. I'm pleased to have created something that ends, not on a bang, but a full stop and an ellipsis.
In August, I went to the City of Lights to be proper romantic on mine and my wife's second anniversary (naturally), track down some BDs (success), capture a giant Totoro (he escaped), visit the Robert Crumb Retrospective (extensive) and cross the canal Saint-Martin and la Seine a few times (#riverfans). I adore Paris and love that they take comics seriously there, without question, clarification or defensiveness. I got the new Lewis Trondheim book for Christmas. It is an absolute joy. I'm going to write a comic in French. It'll be mint.
Nightbus launched online in October, in time for Thought Bubble and the Canny Comic Con. It's been met with positive reviews and good sales so far. I'm really pleased with the book and the series as a whole. You can see a great leap forward from the first 'snapshot' to this one. I feel that my writing, really came into its own here, both in terms of visual storytelling, dialogue and story. It's something I've been looking forward to getting back to for so long. Leaving a trilogy unfinished is poor form, so I was glad to get back to those characters even if it was just to give them the send off they deserved.
What's new for 2013? Well SG3 is on its way, I can't guarantee a specific launch date, but you'll find out soon enough. And after I finish the second of my two trilogies? I plan to take a little break from comics. I'll concentrate on learning a few new tricks in Photoshop and Illustrator and maybe just drawing. I have plans to work with Daniel on something soon though, so don't get too upset.
I'll take this opportunity to say a massive cheers me dears to everyone who's helped to make 2012 a superawesome year, and will hopefully be there to make 2013 even better.